大脚野人日落 (2024)

A year in the life of a singular family. Sasquatch Sunset is, indeed, an utterly singular filmmaking [展开全部]

A year in the life of a singular family. Sasquatch Sunset is, indeed, an utterly singular filmmaking feat. Deploying a daring approach with ferocious commitment, David and Nathan Zellner’s imaginative work captures quotidian sasquatch life with detail and rigor that is simply unforgettable. The Zellner brothers continue their longstanding contributions to the Sundance catalog with this zany gem, after collaborating on memorable Festival standouts like Damsel (2018), Kumiko, the Treasure Hunter (2014), KID-THING (2012), and even the felicitously titled short Sasquatch Birth Journal 2 (2011). In a time where likenesses are of the utmost preciousness to actors, the dynamic duo Jesse Eisenberg and Riley Keough eschew traditional appearances and ego in a fantastic display of raw performance chops, dazzling dedication, and rare boldness. Eisenberg returns to Sundance after many performances (first in 2009 with Adventureland) and most recently his 2022 directorial debut When You Finish Saving The World, as does Keough (starting in 2009’s The Girlfriend Experience and most recently with Zola in 2020), but this time in stunning, definitively never-seen-before fashion. [收起部分]